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"Music Exists for the purpose of growing an admirable heart" ~Shinichi Suzuki

"Music exists for the purpose of growing an admirable heart"
Shinichi Suzuki
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Intermezzo! Student Classes

March 18, 2016 By Diane Slone

Intermezzo!  will offer students of all instruments and levels a variety of classes:

  • Masterclass ( meets 2 days; additional fee)
    • Masterclasses will be scheduled in the early afternoon for students whose school year has not yet begun
    • Masterclasses will be scheduled after the group activities for students who are already back in school
  • Group Activities
    • All group classes will be scheduled 3:00-7:00 Tuesday-Friday.
    • Depending upon level, students will have 2-3 hours of group activities each day
    • Classes will be some of the following, based on age/level/instrument:
      • Level appropriate group class
      • Dalcroze Eurythmics
      • Musicianship
      • Fiddling
      • Orchestra
      • Chamber music

Each student’s schedule will be unique, depending upon their instrument, level, age and whether or not their school year has begun.

 

Our Saturday schedule will be different, culminating in a closing concert at the Stanley Ampitheatre, followed by the chance to have big dinner celebration all together!

 

Here are some sample schedules for Tuesday-Friday:

Sample Schedule 1 (Book 3 student – no masterclass)

3:30    Dalcroze Eurythmics
4:30    Group class
5:15    Orchestra
6:00   Fiddling

Sample Schedule 2 (Book 3 student – not in school, with masterclass)
1:30  Masterclass
3:30  Dalcroze Eurythmics
4:30  Musicianship
5:15  Group Class

Sample Schedule 3  (Book 3 student – in school, with masterclass)
4:00 Dalcroze Eurythmics
5:15  Orchestra
6:00 Group Class
7:00 Masterclass

Sample Schedule 4 (Book 1 student – no masterclass)
3:30  Masterclass
4:45  Group class
6:00  Dalcroze Eurythmics

Sample Schedule 5 (Book 8 student – in school, with masterclass)
4:00 Chamber Music
5:00  Group Class
6:00 Dalcroze Eurythmics
7:00 Masterclass

 

Intermezzo! Guest Faculty

March 13, 2016 By Diane Slone

In addition to our local HKSMI and KSMA faculty, we are excited to have special guests, authorised as Teacher Trainers by the Asian Regional Suzuki Association, to come to Hong Kong to work with our students and instruct the teacher training courses.

 

rsz_caroline_with_ryanCaroline Fraser, piano
Caroline Fraser is from Scotland. She graduated from Edinburgh University with a Bachelor of Music degree and studied at the Royal Academy of Music in London obtaining diplomas LRAM and ARCM in piano and violin. She obtained an MM with Kodaly emphasis from Holy Names University. Caroline started to teach using the Suzuki method in 1974 in California. She pioneered the Suzuki method in Peru in 1981. From 1992 until 1999 she was a lecturer in music theory at HNU, where she continues to direct the Summer Suzuki Teacher Training Institute. Caroline is an ESA and SAA teacher trainer. She lives in Lima and is one of the Latin American liaisons for the SAA. She gives teacher training courses all over Latin America, and in the US, Canada, Europe and Taiwan.

 

Richard Mooney, cello
Rick Mooney grew up in a musical family where he began studying piano at age 5 and cello at age 8. He studied Suzuki teaching methods with Phyllis Glass at USC and traveled to Japan in the spring of 1976. As a specialist in the Suzuki method of teaching, Mr. Mooney has been a guest teacher at many institutes and workshops throughout the United States, Canada, Asia, England, Australia and New Zealand. He has been active with the Suzuki Association of the Americas, serving on the Board of Directors, on the Cello Committee and writing for the American Suzuki Journal. He is also the founder and director of the National Cello Institute which sponsors a Summer Institute, a Winter Workshop and publishes music for cello ensembles.

 

rsz_mark_mutter_fbMark Mutter, violin
Mark is a registered Teacher Trainer with the Suzuki Association of the Americas. He received his Bachelor and Master of Violin Performance studying with Walter Schwede, Angel Reyes and Camilla Wicks. Mark studied Suzuki pedagogy with John Kendall, Ronda Cole, Jacquie Maurer and Geri Arnold. He is the Executive Director of Suzuki Royal Oak Institute of Music and oversees 11 teachers that teach over 150 students. He has been a clinician at Workshops and Institutes throughout the U.S. and has led the SRO Tour Group “Camerata” on concert tours throughout Europe and Canada. Camerata made their Carnegie Hall debut in April 2010 as part of Manhattan Concert productions “Debut” series. He is presently on the conducting staff of the Wu Family Academy, the Detroit Symphonies youth orchestra program. He conducts the Concert Orchestra.

Teacher Training at Intermezzo!

March 13, 2016 By Diane Slone

rsz_caroline_and_jason_2015

Units Offered:

Sunday, 14 August               9:00-16:30
Where Love is Deep   (6 hours)                   

  • Prerequisite for taking any instrument-specific unit
    • Registration of Every Child Can from Suzuki Association of the Americas can be substituted.
  • This foundation unit is open to all people interested in Suzuki Talent Education.
    • Parents are encouraged to register
  •  No audition required.

 

 

Monday, 15 August 9:00 – Monday, 22 August 17:30
Cello Unit 1 (36 hours)                       Trainer:   Richard Mooney
Violin (Viola) Unit 1 (36 hours)       Trainer:   Mark Mutter

Wednesday, 17 August 9:00 – Wednesday, 24 August 17:30
Piano (36 hours)                                  Trainer:  Caroline Fraser

  • Audition required for all instrument-specific training
    • Audition materials must be received by 20 May 2016
    • Materials can be sent
      • via email (preferred) to info@suzukihk.org
        • Subject: YOUR NAME-INSTRUMENT-INTERMEZZO
      • by mail to:   KinderU Suzuki Music Academy, 25/F Times Media Centre, 133 Wanchai Rd., Wanchai, Hong Kong

Camp, Institute, Conference, Festival?

March 2, 2016 By Diane Slone

We are lucky that there are so many wonderful opportunities for us to go with our children to join together with other Suzuki families from all over the world.   Participation in these events is something that can enhance your family’s Suzuki Talent Education experience in immeasurable ways.

As a child, teacher and parent, I have been fortunate to experience many, many different institutes, camps, conferences, festivals…and more!    Some of my closest friends as an adult are friends that I made at age 9: the first year of the first-ever Suzuki institute in the U.S.   Another is a friend I made when my mother, sister and I (age 12) were among the “pioneers” who ventured to San Diego, CA to help them found their institute.    The Second International Suzuki Conference in Hawaii was held the year after my mother, sister and I spent the summer in Matsumoto.   How I loved spending time with my Japanese friends – rather than staying in the nice hotel with my family, my 14 year old self chose to go stay in the college dormitory with the Japanese (college age, but well-supervised) kenkyusei…I looked forward to these opportunities to reconnect with my friends of the heart.

rsz_stevens_point_group

I’ve also loved experiencing International Suzuki conferences from Hawaii to Dublin, Berlin to Matsumoto, Edmonton and beyond – experiencing a new culture, new friends, new teachers in such a huge celebration of our shared philosophy and learning.   What an opportunity!

Each of the opportunities is somewhat unique.   There are some shared benefits to each type of experience, and also some things which you will experience more with one than another.   Here are some ideas of what to expect:

Institute

  • usually around 5 days of classes
  • held in the same location every year (on similar dates)
  • faculty has a lot of consistency from year to year
  • when families find a “good fit”, they tend to return every year
    • see the same friends year after year
  • students usually have a masterclass with the same teacher/combination of students every day
  • other classes can include small group (technique), large group (repertoire), musicianship, dalcroze eurythmics, choir, orchestra, chamber music, other enrichment courses
  • parent seminars happen on a daily basis
  • student and faculty recitals happen each day
  • informal “play-in” often opens the institute
  • final celebration concert at the end
  • often held on university campuses
    • community is built through shared living experience

Conference

  • Usually sponsored by a country or regional association
  • Do not happen every year.   More often, every 2, 3, 6 years
  • For Regional and International conferences, the location varies each time
  • International attendees
    • chance to make new, different friends each time
    • some friends from other countries will attend each time, but not as much “return” attendance as with institutes
  • International faculty, usually with a “headliner” famous teacher for each instrument
  • Most classes are group classes, smaller and larger
  • Parent seminars
  • Opportunity for some students to have one-time masterclass
    • sometimes decided by level and registration
    • can be decided by audition
    • other times determined by teacher recommendation
  • Artist level recitals
  • Final Concert with all participants

Festival

  • Often a one- or two-day event
  • Gathering of students and teachers from a similar geographic region
  • All classes are group classes
  • Final celebration concert
  • Often parent seminars
  • Sometimes guest “headliner” teacher

Our own Intermezzo! summer camp will most closely resemble the Summer Institute, although masterclasses for this year are an optional “add-on” available to all students.

Looking back, I can say that I have really valued all of these types of experiences.  However, the one that carried the most meaning throughout every year was my attendance at a yearly Suzuki institute.   Knowing that I had friends from around the world with whom I would get to spend time in the same place every summer was both motivating and comforting, particularly when I reached adolescence.   I always knew that my Suzuki friends were there for me, even when I felt my family wasn’t.   Yes, I grew up in a great Suzuki program.   Some of my “local” Suzuki friends were also “summer” friends  – but my constant circle was so much broader than it would have been had we stayed home during the summer.    Today, with technology giving us Facebook, and so many more easy ways to stay in touch, I am beyond grateful to continue to “see” these childhood friends of the heart.   Some are not involved in music in any way; I share my profession with others; still others are performers as their primary profession.    Still, we share the unbreakable bond of childhood Suzuki summers…priceless, even today.

Intermezzo! – REGISTRATION DEADLINE EXTENDED!

February 23, 2016 By Diane Slone

Summer Send-Off Camp for all Instrsz_caroline_2015_3rumentalists!

We are excited to announce that from 14-23 August, 2016, Intermezzo! will bring together cello, piano, viola and violin students from KSMA and HKSMI, along with the faculties of both schools, and guest teachers from around the world.

Renowned Guest Faculty

In addition to the highly regarded faculties of both KSMA and HKSMI, we are excited to welcome guest artist faculty:

Caroline Fraser is returning for a second summer to work with KSMA piano students.   In addition, Miss Caroline is now authorised through the Asia Regional Suzuki Association to offer teacher training in our region.  We are thrilled that she is able to stay long enough to offer Unit 1 piano training for pianists who are interested in beginning their journey to becoming Suzuki Piano teachers!

Although this may be the first opportunity for most of our students to meet him in person, many of our cello students will already have “met” Richard Mooney through his books such as Position Pieces for Cello. We are thrilled to welcome Mr. Rick to Hong Kong to work with our cello students, as well as to offer Unit 1 cello teacher training.

Also a welcome and familiar face to students at both KSMA and HKSMI, Mark Mutter will be coming to work with our violin and viola students.   In addition, Mr. Mark will teach both our foundation unit  Where Love is Deep – open to all parents, teacher trainees, and other interested people – as well as teaching the Unit 1 training course to violinists and violists who would like to become Suzuki teachers.

 

A Variety of Classes

Over 5 days,  students will have a daily instrument-specific group class, as well as a class in Dalcroze Eurythmics.  In addition, depending upon age and level appropriateness, students may also participate in fiddling, note reading, musicianship, chamber music, orchestra and other classes.

rsz_caroline_2015_2

Masterclasses, where 4 (Book 1), 3 (Books 2-4) or 2 (Books 5 & above) students and their parents come together for individual instruction,  are available on a first-come, first-served basis.  Students registering for masterclasses will be grouped with the same student/parent teams for a one hour session on two separate days during the camp.

Highly Motivating

Intermezzo! will be a highly motivating way to end the summer and jump start families’ enthusiasm for the new school year!   Students and parents will enjoy spending time together, learning, making music, and having fun!

Parents may register to attend Where Love is Deep and for a special parent seminar, as well as attending classes with their children.

Student  Classes  Tuesday, 16 – Saturday, 20 August

On Tuesday through Friday, student classes will be be scheduled beginning after lunch.    Masterclasses for students who have not yet gone back to school will be scheduled in the early afternoon;  group classes for all students, and masterclasses for students who have returned to school, will be scheduled in the late afternoon and evening.

rsz_caroline_2015_1   Teacher Training Opportunities

In addition to the student workshop, we will be offering Teacher Training for individuals who are interested in learning how to be Suzuki teachers.   The required introductory class, Where Love is Deep (WLID), is open to all interested adults, not just instrumentalists wanting to pursue teacher training in Suzuki Talent Education.     We will offer Unit 1 training in cello, piano and violin for qualified musicians.

Training Dates:

  • Where Love is Deep                      Sunday, 14 August
  • Cello and Violin Unit 1                 Monday, 15 August – Monday, 22 August
  • Piano Unit 1                                   Wednesday, 17 August – Tuesday, 23 August

There are still spaces available for students.   Register today to get in on the fun!

Applications and auditions for cello, piano and violin Unit 1 training are required by the Interim Asia Region Suzuki Organization to be processed by 14 July.   Audition videos cannot be accepted after 1 July, 2016 in order to allow for processing.

 

 

 

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