Suzuki Music Academy of Hong Kong

"Music Exists for the purpose of growing an admirable heart" ~Shinichi Suzuki

Reflections of the Performers: Isabel & Chloe Book 2 Recital

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Chloe and Isabel gave their Book 2 Recital on the last Saturday of our Spring Term! Here are their reflections on the experience:

~from Chloe

    I was really excited when I heard my partner was Isabel, since we did our Book 1 Recital together too!
        Isabel and I were both really nervous in the beginning, since there were 5 guests who came to watch, and it was a lot more people than in the dress rehearsal. Consequently, during the first piece—Happy Farmer, Isabel forgot that I was leading, and led the bow, and gave the cue. So of course I was really confused, and messed up the beginning. Fortunately, we somehow managed to start again, with me giving the cue, and the rest of the piece went really well. 
        Our other two joint pieces—Twinkles and Musette was really good. In Twinkles, we both remembered to have eye contact after every section. In Musette, we didn’t forget to do the dynamics and phrasing we were working on the last few weeks. The only thing I think we could have done was a bigger retard and diminuendo in the end.
        I think part of why the joint pieces were really great, is because we practiced them over and over during all the joint lessons, dress rehearsal, and our practice-playdate. Yup! On June 10, Isabel went over to my place and we practiced all our joint pieces with our concert dress on! After 45 minutes of practice, we decided that we were fine, and started to play games! She even stayed for lunch! 
        Anyways, back to the recital. Slowly but surely, I got more confident throughout the performance. I think my best piece that day was Two Grenadiers, since I used my whole bow, did the crescendo, and used my elbow for the up bows, to create a grand forte sound. I also really liked Chorus from “Judas Maccabaeus”, because I used my thumb and elbow together to create beautiful tone. In Boccherini Minuet, I did a lot of dynamics in the C, D, and E sections, but I could definitely make the trills sound clearer. In Hunters Chorus and Gossec Gavotte, my eighth and sixteenth notes were kind of mushed together. I really liked Gavotte from Mignon’s pizzicato ending as well. I did elbow circles, and pulled the strings sideways. 
        After the recital, we had a lot of snacks, drinks, and candy, at the reception. Everyone was just chatting, laughing, and eating. 
        Lastly, I want to thank all the people who have helped me make this recital happen. Ms. Diane, for teaching me all the pieces I performed. Ms. Marie Ann, for organizing everything. My family, for supporting me along. Ms. Sonomi, for collaborating with me. Isabel, for being a great friend and partner. And Isabel’s parents, for bringing the amazing food!
        All in all, the whole recital was a fun and enjoyable experience, and I look forward to my future Book 3 Recital too!

~from Isabel

I think that my book recital with Chloe was successful because we worked well and we could identify what problems there were in our joint pieces and we practised this more when Chloe invited me over to her house and we mostly practised Musette because we needed to practise being in sync. After that, we played with Chloe’s little sister and ate lunch. I think this was a very fun experience and I would like to do another recital with Chloe.

Reflections from the Performers: Lincoln & Miles ~ Book 2 Violin Recital

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Miles and Lincoln were excited to welcome the largest in person audience to a Book Recital since before COVID! They have some thoughts to share about their experience together:

~from Lincoln

I believe that the recital was quite successful. One of the reasons is that there were no major mistakes and I firmly believe both me and Miles played beautiful music that allowed the massive audience to clap loudly. In Twinkle, I think I should have paid a little more attention to Miles as I was completely focused on myself. I would like to thank you for helping me develop my music and Ms Sonomi for being piano accompaniment. I think that I have prepared a lot for my recital in the 20 mins of time to practise. I think that I should have practised more pieces  rather than just a few. I believe my playing with Miles of Musette has significantly improved. We were together more and we played it better than the last time. I firmly believe that overall, the recital was a success, however had some flaws such as the twinkle where I accidentally played theme instead of harmony for a few seconds in variation E. 

~from Miles

My recital went well, and I am proud of how I did. I think I worked well with my partner and have done good ques for both Ms.Sonomi and my partner while leading. Overall I did much better than last time, and hope all future recitals are as good as this. The main concerns I had when I was told the recitals’s date was me forgetting the forms of the pieces, but after getting used to the pieces again, I found the forms not too difficult. The joint lessons also helped a lot as we focused a lot on ques and how to lead, which neither me or my teammate really did well before the joint lessons.

Reflections from the Performers: Amy and Hugo ~ Book 3 Cello Recital

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Amy and Hugo performed their Book 3 cello recital together. It was Amy’s first-ever Book Recital! The two students worked together with Ms Silvia to prepare their joint pieces, as well as working on their solo repertoire. Here is what they each have to say about the experience:

~from Amy

I heard this new was on January 25. That was so challenging and exciting for me because it is the first time I have to play so much music at once. 

Initially, I played most of my time for my recital while I was free. Sometimes I was not at home, and I could not bring my cello I would take the music with me, and once I was free, I could take a look on it and played on my mind. 

There were also some difficulties to solve before the recital. For example, I often mixed up how to play accompaniment of Allegro Moderato cause there are some alto clefs in the music, and I have already remembered the cello 1 of Allegro Moderato, they are quite similar. Thus, when I was playing with Hugo, I often forgot to play my part. The bowings of Twinkle are proper. Actually, it corrects some mistakes that have been affecting me for long times. I need to put my bow closer to the bridge and use the prescribed section of the bow. These can make my tone more resounding and stronger. Fortunately, these issues were resolved with the help of Ms. Silvia. Ms. Silvia carefully taught how to solve these problems and promptly reminded me whenever they occurred.

Before the recital started, I feel so much pressure because I afraid that I would screw up the concert and there were so many people rooting for me, so I pretended I was a professional cellist who has appeared in concert many times. That is so funny.

It was surprising that I gradually feel relaxed when I was performing. I tried to show the beautiful tone as best as I can. There was a voice in my heart to remind me and said, ‘you can do it’. I hope I can do better in the future concert than this time and let them unforgettable. For the whole concert, one thing I must change was I do not wait for Hugo before I started play Minuet in G. I feel deeply regretful after the recital, and I promise this sort of things won’t happened again.

Finally, thanks to all the audiences who came to see the recital and Hugo and all the teachers who helped me to finish the concert.

~from Hugo

This was a very difficult recital to prepare for as I was not able to play cello for a week as I fractured my ankle, this not only meant that I lost one week of practice but i also forgot a lot of things that we worked on and we had to start over, so I had to practice a lot more than I intended to, but i was able to persevere through and successfully complete my recital.  I really liked working with Amy as I can tell she is really dedicated which is something I lack.  If I could do this recital again I would practice more so I feel prepared and calm before the recital, I think I played quite well but I could definitely do much better as I was very nervous and was playing faster than we practiced and probably could have played better if I was more calm.

Reflections from the Performers: Ava & Lucia Book 1 Recital

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Ava and Lucia recently presented their Book 1 recital! Here are their reflections on their experience

~from Ava

What I really liked about the performance is that in the joint classes is that I got to make friends with Lucia and I was prepared for the recital and it was half good…BUT STILL really good. I made a few mistakes BUT I kept playing and I did it! So I was really happy about the recital. PS Food was AMAZING especially the cheetos

~from Lucia

Hi, I’m Lucia. I came to a Suzuki music school in Hong Kong last year. On April 20 I played in a special music show for finishing school. I practiced a lot to get ready. My friend Ava and I played music together. I played a big violin called a cello, and Ava played the piano. We did a great job and people clapped and cheered for us. We were so happy! I want to say thank you to my teachers, Ms Danil, Ms Silvia, Ms Sonomi and Ms Marie Ann. And thank you to Ava and my mom and dad. I will keep trying my best!

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Reflections of the Performer: Eric and Wesley, Book 3 Violin Recital

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~by Eric

First, I want to thank all the people who helped throughout this process. I want to thank Ms.Diane, Wesley, Ms.Mary Ann, Ms.Susan, and both me and Wesley’s parents. Without the help of all these people supporting me, I would never have been able to complete this recital. 

Out of all the recitals I have gone through, I think this one is my favorite one yet. The reason why is that it was the first recital me and Wesley had the responsibility of preparing some of the pieces. It gave us an opportunity to work together without the influence of teachers or parents, and it allowed us to showcase our progress. Furthermore, the quantity of the pieces in Book 3 is less than the pieces in Books 1 and 2, so it makes it easier to really polish our pieces and shine in our solos. Finally, I think the joint practices helped me and Wesley put together our combined pieces. Since playing our duets required great collaboration (Martini Gavotte’s duet trailed behind the melody, while Bach Minuet’s duet had plenty of moving notes), I think the joint practices helped us perfect our playing. 

~by Wesley

 I would say this book recital is the most successful one i’ve had over the years, i was feeling more confident this time, although i still had a few mistakes throughout the recital.

This is my first time working with eric with some pieces, we would practise the dynamics at home and use it during our practise sessions. i also think we both communicated well wit each other, we were able to figure out who plays gossic gavotte and who plays bach bouree. I personally think i lead gavotte better than bach bouree, and eric is good at leading bach bouree, we made a perfect choice.

For further improvements, i would like to be more confident when i play in front of people, while remembering the things i’ve learned and practised. Especially my dynamics of some pieces.

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