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"Music Exists for the purpose of growing an admirable heart" ~Shinichi Suzuki

"Music exists for the purpose of growing an admirable heart"
Shinichi Suzuki
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Reflections of the performer: ANDREW ZENG, Book 7 Violin Recital

November 6, 2023 By Suzuki Music Academy of Hong Kong

To begin with, my Book 7 Recital was my first solo recital, which meant that I was faced with the challenge of polishing up and putting together a much greater number of pieces with the piano. Playing through a total of 11 pieces (22 movements in total) over a period of ~1.5 hours was also quite demanding in terms of endurance. I relied on and was able to further develop my organisational and time management skills when scheduling rehearsals with Ms Sonomi and balancing my academic commitments with practice for the rehearsal. In terms of the pieces themselves, I found it uniquely rewarding to revisit pieces which I had learnt in the past and to rediscover and reinterpret them, making use of new technique, musical ideas and perspectives that I have since learnt and gained. In the new pieces that I had learnt, I was able to further polish up my technique and refine my interpretation. It was also interesting to listen to recordings made by others to open myself up to new interpretations to take inspiration from. I found decision making much more straightforward. It also gave me the freedom to pursue my own ideas.

Looking at the recital as a whole, there were some mistakes which occurred and countless things that I could have done better. Some pieces also left me feeling unsatisfied with the fact that I was unable to fully express all of my musical ideas as a result of not having practiced enough (In particular, the seemingly ‘easier’ pieces that I had neglected to practice as much). However, overall, my experience was a positive one. In a live performance, not everything can always go the way you practiced or had hoped for. As with anything, things can go wrong and it takes resilience to deal with mistakes or failures and carry on. In between pieces, I was able to move past those mistakes and re-energise and motivate myself to focus on the sole objective of playing what comes next to the best of my ability. I am extremely pleased with the end result and found this entire process hugely enjoyable and rewarding. I was able to apply myself to play with expression and share the results of my violin journey which began 9 years ago with others. Looking ahead, by the time my next recital comes around, I hope to become a more expressive player who takes more liberties and is more imaginative with musical ideas. Music is an immensely beautiful language which allows us to express emotions, certain ideas, or aspects of the human experience that we otherwise could not with language. That is the reason for its tremendous appeal and ability to transcend time, people and cultures among many other things. Therefore I feel extremely privileged to have an understanding of this language and to have the ability to share it with others.

I would like to give a great thanks to the brilliant Ms Sonomi for spending so much time rehearsing with me, supporting me and helping me gain confidence in my playing. I would also like to thank Ms Diane for all her years of teaching and guidance. Finally, I would like to thank those who joined us for my recital.

Reflections from the Performers: Camy and Emma Book 3 Recital

June 20, 2023 By Suzuki Music Academy of Hong Kong

~from Camy

~from Emma

This book three recital was much more different than my last graduation recital, I thought using Acapella was a brilliant idea because me and my partner, Camy were far from each other.

I personally thought the Bach Bourree was enthusiastic, exciting and “jumpy”! I felt like it was a brilliant way to start off the recital.

I think I could’ve done better on following the dynamics in the beginning for Gossec Gavotte, otherwise everything else was fine.

Nothing was out of the ordinary for the Twinkle, Twinkle Little Star Variations.

I think Martini Gavotte was well represented as a Gavotte (a dance) most of the time, at first I hadn’t really thought about my dynamics for the A sections, this made around a third of the time really boring.

Overall I think my harmony part for Minuet Three was pretty great! The only part I would change then at the end would be making eye contact with Ms Sonomi before the end (I did do this, but I would’ve been able to make the last three notes and the retard more grand if I’d made eye contact a bit more sooner).

We first practiced and learnt our parts then played along with our partners from a video to get to know each others playing style, when me and Camy played together in person, I didn’t feel anticipation on what kind of articulation or dynamics Camy would do next, I found this strategy very helpful.

As for my solo pieces, I feel like my dynamics could’ve been more exaggerated during Gavotte in G Minor. I feel most proud about my Gavotte in D Major, it had a range of articulation (something I had to be reminded about a few times by Ms Diane), it was probably the most fun piece and the piece I enjoyed the most in the recital.

Thank you to everyone that helped make this recital possible, a big thank you for Ms Diane for helping me and Camy along the way as well as Ms Sonomi for playing the accompaniment on the piano for us! it was a great experience!

Reflection from the Performer: Cecilia’s Book 7 Recital

May 17, 2023 By Diane Slone

~by Cecilia Hao

Since I was performing on my own for the first time, my violin recital for book 7 was considerably different from my recital for book 6 in the past. I had to independently schedule rehearsal times with Ms. Sonomi and during the rehearsals, we had to communicate clearly so that the violin and piano parts would fit well together. I was able to improve my communication abilities and gain more confidence as a result of multiple practice sessions I had with Ms Sonomi. In addition, compared to the many rehearsals I’ve had, I felt more comfortable voicing my ideas this time. Because the success of this recital depended on how much I had prepared and how secure I was in myself, it encouraged me to be much more responsible. Despite some bumps in the road during the performance, I have to admit that I am very pleased with myself for such an outstanding achievement. Being able to balance the violin on top of school work more successfully than normal also made me feel more mature. There is still room for improvement in terms of interacting with the piano and having more strong opinions. I am beyond grateful for all the support I received from my parents, teachers and friends, and I eagerly anticipate my next recital.

Reflections of the Performers: Andrew, Miko and Tejbir

May 2, 2023 By Suzuki Music Academy of Hong Kong

Miko, Andrew and Tejbir performed their Book 1 Recital on 29 April 2023. Here are their thoughts about the experience:

~from Miko

At first, I was really nervous when I heard that I had to do a book 1 recital. I don’t really like being in the spotlight in front of crowds, but at least it wasn’t a solo recital. This recital was going to be different, because we’re not only playing one piece, but we’re playing about 4 pieces each. 

I felt comfortable that we were going to have a few joint lessons and recital practices, to get warmed up and get the idea of how the recital will run. I was a bit nervous when I saw that my solo was first, but it would also mean that I could get my solo’s done quicker. 


When practicing at home, I try to stay with the recording and with the beat, and I think at the recital, I stayed with the beat on the solo’s too. 

I think the recital went really well, but of course we made little mistakes. I think the tone sounded really well, and I think we did the echos well too. I especially think we did the twinkles well, and that we stayed with each other. We played Govotte perfectly, and i think we didn’t slow down throughout the piece. I am sure that part of this happended because we practiced a lot, preparing for this recital.

~from Andrew

My book 1 recital was very fun.

what I liked the most was all the preparation. I had to practice a lot of pieces I already knew how to play, but I had to polish them even more. I enjoyed the recital very much and it was a lot of fun! I hope the book 2 recital will go well too!

~from Tejbir

On Saturday, I had my Book 1 recital. My partners were Andrew and Miko. First we chose what solos we wanted to play. And then we practised the Twinkles and Gavotte. Then we had the dress rehearsal. Finally we had the Book 1 recital. I was nervous. We had a little warm-up before the recital. After the recital we ate some snacks. I was happy and nervous before the recital but after the recital I felt happy and tired.

2022 Fall Solo Recitals

November 29, 2022 By Suzuki Music Academy of Hong Kong

SMAHK’s Fall, 2022 Solo Recitals were held on Saturday, 26 November. It was wonderful to hear so many of the students share their music with one another. Thanks to the more relaxed restrictions, we enjoyed having full families including grandparents as part of the audience! Staff and parents alike have commented about how smoothly the recitals went, with one parent commenting about being able to notice the growth from the last Solo Recitals until now.

Please enjoy some of the photos from the event!

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